We Can Only Save Ourselves

November 2, 2020
In Wisdom’s captivating if slight debut, a suburban high school girl joins an antiestablishment cult. The night before Alice Lange is expected to be crowned homecoming queen in her tight-knit town, she and her friends break into the high school, and Alice, stirred by the desire to “do something,” sets fire to a float. Then she leaves town with the mysterious Wesley, whose power and charisma holds a spell over Alice and a group of women living in a nearby desert bungalow. The narrative, set in an unspecified past of corded phones, is propelled by Wesley’s “grand awakening” vision of the danger inherent in America’s violent society, and becomes increasingly unsettling fter Wesley claims to know a serial killer responsible for the death of a teenager from Alice’s town. While the unresolved ending and nondescript setting add little to the familiar Manson-esque motif, Wisdom does a good job differentiating the personalities of the women in Wesley’s orbit, as well as the mothers left behind. Fans of cult stories will appreciate this. Agent: Stephanie Delman, Sanford J. Greenburger Assoc.

December 1, 2020
The women of a small town serve as a chorus of narrators in Wisdom's eerie and powerful debut. Perspective shifts between the "we" of these mothers, the women on the outside who observe, and Alice Lange, the girl at the center of the story. Alice, on the verge of being crowned homecoming queen, encounters Wesley, an enigmatic man she notices taking photos one afternoon. She can tell he wants her to come with him on a strange journey, but leaves to sneak into her high school and count the homecoming votes early. Once Alice learns she's not to be crowned, she sets fire to a homecoming float and goes off with Wesley, finding that he lives with four other women in a communal house, presiding over their cult-like lifestyle. The depth in this book comes from Alice's shifting motivations and Wesley's waxing and waning control over the women. Despite a jarring scene depicting violence toward a dog, the hypnotic storytelling and exploration of Alice's character--and the character of Alice's entire town--will draw readers in.

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January 15, 2021
An all-American golden girl runs away from her small town to join a cult in Wisdom's dreamy debut. Two days before she will surely be crowned homecoming queen--how could it be otherwise?--Alice Lange, beloved and beautiful, the pride of the neighborhood, is approached by a stranger. She's reading on her front porch swing when it happens, when the man, who is handsome and older, takes her picture with a "ravenousness she liked." They will see each other again, the man tells Alice, and this turns out to be true: Alice won't go to the dance after all. Alice will get in the man's truck and she'll be gone, and when the police come, it will be clear she has left voluntarily. The novel, narrated by an all-knowing chorus of the neighborhood mothers, moves between Alice's new life off the grid with the man and his followers and the small town shaken by her disappearance. The man, who is called Wesley, is the charismatic leader of a doomsday cult--the novel is not especially specific about the ideological details, but they will, someday, build a new civilization from the world's ashes--for which he has recruited a small band of young women, most recently Alice. Alice, who remains, in her golden perfection, a sort of girl-shaped place holder, is easily swept along. For the town, life goes on, but her absence is a constant reminder of its precariousness. "That's what we've learned from Alice Lange," the mothers explain. "Sometimes the darkness wins." Propulsive and haunting, if psychologically thin, the novel is a fever dream of familiar tropes: the idyllic suburb, the chosen girl, the allure of escape, the cult, the undercurrent of violence. The novel doesn't seem to offer any particular insight into these things--it proceeds about how you'd expect--but Wisdom hits each note with perfect precision. Crisp and well constructed, if not especially emotionally resonant.

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