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Pieces of Light

How the New Science of Memory Illuminates the Stories We Tell About Our Pasts

ebook
1 of 1 copy available
1 of 1 copy available
In a blend of memoir and science, a psychologist presents a "thoughtful exploration" of autobiographical memory (Booklist).
A new consensus is emerging among cognitive scientists: rather than possessing fixed, unchanging memories, we create new recollections each time we are called upon to remember. As psychologist Charles Fernyhough explains, remembering is an act of narrative imagination as much as it is the product of a neurological process. In Pieces of Light, he illuminates this compelling scientific breakthrough in a series of personal stories, each illustrating memory's complex synergy of cognitive and neurological functions.
Combining science and literature, the ordinary and the extraordinary, this fascinating tour through the new science of autobiographical memory helps us better understand the ways we remember—and the ways we forget.
 Book of the Year: Sunday TimesSunday Express, and New Scientist
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    • Publisher's Weekly

      January 7, 2013
      Psychologist Fernyhough (A Thousand Days of Wonder) aims to debunk the myth that memory is purely retrospective—memories, he argues, are not “heirloom from the past” summoned back for display in the present; they are momentary reconstructions. Fernyhough contends that neuroscience is crucial in solving the puzzle of memory, but his primary means of shedding light on the topic is through personal and historical anecdotes. This tactic can feel contrived at times, but it makes his examination welcoming and accessible to lay readers. His analysis is wide-ranging, touching on everything from the mundane lapses in memory that make a labyrinth of a familiar city, to brain damage and traumatic memories mediated and distorted by intense emotions. He also covers a wide swath of literary and historical ground, including the olfactory and musical remembrances of Proust and memory exercises of the Middle Ages. What is abundantly clear throughout is that remembering has always been a deeply imaginative process. Few of Fernyhough’s points stand out as groundbreaking, but his notion of memory as “a way of being with other people” is a refreshingly social take on an intensely personal experience. Agent: David Grossman, David Grossman Literary Agency (U.K.)

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  • English

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