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Scorsese by Ebert

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1 of 1 copy available
1 of 1 copy available

Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967's I Call First, later renamed Who's That Knocking at My Door—creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America's most respected film critic's engagement with the works of America's greatest living director, chronicling every single feature film in Scorsese's considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light.

In the course of eleven interviews done over almost forty years, the book also includes Scorsese's own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director's less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert's insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."—Time Out Chicago

"Ebert, film critic for the Chicago Sun-Times, is an unabashed fan of Scorsese, whom he considers 'the most gifted director of his generation.' . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work."—Publishers Weekly

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  • Reviews

    • Publisher's Weekly

      July 21, 2008
      Ebert, film critic for the Chicago Sun-Times
      , is an unabashed fan of Scorsese, whom he considers “the most gifted director of his generation.” To prove it, he’s compiled his reviews of every Scorsese film—beginning with I Call First
      in 1967 to his latest, Shine a Light
      . Along the way, Ebert pays special tribute to five “masterpieces,” including Taxi Driver
      , Raging Bull
      and Mean Streets
      , which he calls “one of the source points of modern movies.” These three films in particular, Ebert argues, reflect Scorsese’s ongoing preoccupation with sex and guilt, themes fueled by a Catholic upbringing and his childhood in New York City’s Little Italy. Citing the director’s strong collaboration with actor Robert De Niro and screenwriter Paul Schrader, Ebert says all three men seem “fascinated by the lives of tortured, violent, guilt-ridden characters,” usually men who cannot relate to women, such as Travis Bickle in Taxi Driver
      or Jake LaMotta in Raging Bull
      . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work.

    • Library Journal

      July 15, 2008
      Ebert has been a professional film critic for as long as Martin Scorsese has been a feature-length filmmaker. Icons in their respective fields, they have developed a professional friendship that makes this intimate study all the more fascinating. Both share similar cultural and religious backgrounds, and perhaps this has helped attune Ebert's criticism, be it positive, negative, or respectfully reserved (like his thoughts on "Cape Fear and Gangs of New York"), to Scorsese's various films. All of Ebert's original reviews are here, along with interviews he has conducted with Scorsese over the years and an occasional reconsideration of such films as "Kundun, After Hours", and "The Last Temptation of Christ". This book is proof that the greatest criticism is simply careful and educated observation that connects a filmmaker with his subject, his audience, and his time. Ebert is one of the most acclaimed and perceptive critics of "his" time, and this unique book is an invaluable study in the canon of both film and criticism. Highly recommended for all libraries.Peter Thornell, Hingham P.L., MA

      Copyright 2008 Library Journal, LLC Used with permission.

    • Booklist

      October 15, 2008
      Ebert, indisputably Americas most prominent film critic, wrote the very first review of a movie by Scorsese, arguably the nations foremost director, when he praised I Call First (later renamed Whos That Knocking at My Door?) after a 1967 festival screening. As Ebert continued to follow the young directors career, the unlikely affinity of the critic from downstate Illinois for the filmmaker from Manhattans mean streets became evident. That connection is on display in this volume collecting Eberts contemporary reviews of all of Scorseses features as well as a half-dozen recent reconsiderations and 11 interviews conducted over the past four decades. Ebert lavishes expected praise on such acknowledged masterworks as Taxi Driver but evinces less enthusiasm over misfires like Kundun. As demonstrated by the essays in his Great Movies collections, five of which reappear here, Ebert is best writing about works that fully engage him. His enthusiasm and conviction are obvious here; accordingly, this is some of his best stuff.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

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