Maresi

October 31, 2016
Inside the ancient Red Abbey on the island of Menos, women and girls are shielded from abuse, rescued from poverty, and taught the necessary skills to improve their homelands. Novices Maresi, 13, and newcomer Jai have both lost their sisters, but while bold Jai focuses on revenge against the men who buried her beloved sibling alive, brave Maresi is trying to escape the pull of death herself. Fantasy and magic blend fluidly in the deeply feminist world of Turtschaninoff’s first novel, originally published in Finland. When death calls to Maresi, it manifests in the whispering hiss of the Crone, an eerily haunting personification of her fears. The island haven is a bright spot of love and harmony amid the stark realities of a dark and brutal world, crafted in the spirit of Margaret Atwood’s Republic of Gilead. The sisters and their protégés are tested by intruders, but they greet the hateful aggression with unity and a willingness toward self-sacrifice. In this first book in the Red Abbey Chronicles trilogy, the message is clear: knowledge isn’t just power, it can save lives. Ages 13–up.

October 15, 2016
An idyllic abbey of women is attacked by men.The island of Menos' only inhabitants are the Mother, learned sisters, and novices of Red Abbey. Girls come fleeing poverty and persecution; they receive shelter and sustenance, plus knowledge and wisdom they can sometimes take back to their homelands. Thirteen-year-old Maresi arrived four years ago, escaping the "hunger winters" that killed her younger sister. The Abbey's unnamed neopagan religion serves the Goddess in her three aspects--Maiden, Mother, Crone--and although Maresi narrates in first-person, readers will understand long before she does that the Crone's calls to her don't foretell her death. Violence threatens, though, when novice Jai's father invades no-men-allowed Menos. He's already buried Jai's sister alive, and another honor killing looms. (Jai's two-dimensional culture consists entirely of threadbare misogyny tropes, such as women forbidden from speaking to men outside the family or leaving the house after sunset.) The Abbey's victory--wrought by vague power based in women's hair and a last-minute bailout by the Crone--sits alongside a mass near-rape that's prevented when the sister currently embodying the Maiden places the rapists "under the enchantment of her radiant beauty" and sacrifices herself, in a way the text portrays as glorious and noble, to rape. Jai's people are white and blond; other characters are either white-skinned or undesignated. Strong on neopagan religion and ritual; dubious on female empowerment. (maps) (Fantasy. 13-16)

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Starred review from November 1, 2016
Grades 8-11 *Starred Review* It's rare to find a YA fantasy with such polished writing, and almost impossible to find a YA title so committed to a sympathetic portrayal of a matriarchy. Finnish author Turtschaninoff kicks off the Red Abbey Chronicles with the compelling story of 13-year-old Maresi, a novice at the Red Abbey on the island of Menos, where men are forbidden. Sent to the abbey at age 9 to escape starvation, Maresi is supported in her desire to learn everything she can, especially about the First Mother. When a frightened, abused girl named Jai arrives at the abbey, she and Maresi become fast friends, but Jai's angry father pursues her to the island, intent on getting her back and punishing the sisters. Maresi's simple, direct narrative is filled with compelling details of abbey existence, from bathing to eating to moon rituals. The wholesome, stable life of dedication to the First Mother in all her forms (maiden, mother, and crone) through study and service unfolds naturally through the first half of the book, building the reader's respect and affection for the abbey and its inhabitants. Utterly satisfying and completely different from standard YA fantasy, this Finnish import seems primed to win over American readers.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

November 1, 2016
In this fantasy, Turtschaninoff imagines a vibrant women's community on a remote island. Red Abbey is a pastoral utopia committed to the rites of the First Mother and her three aspects: Maiden, Mother, and Crone; it's also a haven for the girls who arrive theredriven by starvation, drawn to its learning, or fleeing abuse. Maresi, whose parents sent her there to save her from starvation, has learned to love the kind, cooperative way of life, and when a traumatized newcomer arrives, Maresi hopes that her friendship and the peaceful Abbey will teach Jai to feel safe. But Jai is fleeing a father who buried her sister alive in an honor killing, and Jai is certain he will come after her, too. When he does, with blood and mayhem, Maresi learns her own potent role in the threefold power of the First Mother. Turtschaninoff puts traditional elements of female magic to effective dramatic use, especially in the climactic (and climatic) conflict between Jai's father and the Sisters. But what's more impressive about this fantasy is the subtlety with which the serenity of the island and its way of life is establishedthrough the calls of birds, the sounds of the lapping sea, the smoothness of driftwood. deirdre f. baker

(Copyright 2016 by The Horn Book, Incorporated, Boston. All rights reserved.)