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Waste Tide

Audiobook
1 of 1 copy available
1 of 1 copy available

A LOCUS AWARD FINALIST FOR BEST FIRST NOVEL

Award-winning author Chen Qiufan's Waste Tide is a thought-provoking future vision of how climate change affects the world.
Translated by Ken Liu, who brought Cixin Liu's Hugo Award-winning The Three Body Problem to English-speaking listeners.

Mimi is a 'waste girl.' A member of the lowest caste on Silicon Isle, located off China's southeastern coast, and home to the world's largest electronic waste recycling center. There, thousands of miles from home, Mimi struggles to earn a living for her family and dreams of a better life.
Luo Jincheng is the head of one of three clans who run the island, a role passed down from his father and grandfather before him. As the government enforces tighter restrictions, Luo in turn tightens the reins on the waste workers in his employ. Ruthlessness is his means of survival.
Scott Brandle has come to Silicon Isle representing TerraGreen Recycling, an American corporation that stands to earn ungodly sums if they can reach a deal to modernize the island's recycling process.
Chen Kaizong, a Chinese American, travels to Silicon Isle as Scott's interpreter. There, Kaizong is hoping to find his heritage, but finds only more questions. The home he longs for may not exist.
As these forces collide, a dark futuristic virus is unleashed on the island. Against the backdrop of a gritty near-future Chinese landscape, in a world of body modifications and virtual reality, a war erupts — between the rich and the poor; between ancient traditions and modern ambition; between humanity's past and its future.

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    • Publisher's Weekly

      Starred review from February 25, 2019
      Anglophone readers will cherish the opportunity to experience Chen’s sweeping, complex, and deeply emotional near-future dystopian vision via this thoughtful rendition by Hugo-winning translator and author Liu that maintains the story’s essential Chinese character. Guangdong Province’s environmentally devastated Silicon Isle, ruled by three powerful clans, is the destination for the electronic garbage created by a world addicted to body enhancements. The rubbish is processed in hellish conditions by the migrant workers considered by the rich natives to be subhuman “waste people.” Chen Kaizong, a Silicon Isle–born but America-trained translator, reconnects to his heritage and clan family while accompanying Scott Brandle, a visiting representative of TerraGreen Recycling, which wants to automate the process. Meanwhile, waste girl Mimi, on the run from the henchmen of the Luo clan after having been connected to the mysterious illness of the clan leader’s grandson, becomes the central figure in a rising rebellion. Liu’s careful handling of multiple Sinitic languages, as well as naming conventions that connect to class, education, and geographical origin, maintains the flavor of the setting and preserves the integrity of Chen’s focus on interacting subcultures and the social opportunities available to those capable of linguistic code switching. Chen’s story is extremely relevant to the current moment of throwaway culture, increasing income disparity, and technological advances progressing at such a rate that morality and ethics have trouble keeping up. Readers who crave gorgeous imagery and a thrilling narrative that also explicitly wrestles with big questions will be overjoyed. Agent: Eddie Schneider, JABberwocky Literary.

    • AudioFile Magazine
      Narrator Ewan Chung tells a story set in the future in China. On Silicon Island clans fight for supremacy in the booming electrical- waste-recycling industry. Listeners hear the tales of different members of the various caste systems as they navigate this harsh and deadly environment. Chung's performance is hamstrung by the text itself. Because this audiobook has been translated from several Chinese dialects into English and because some of the words are still in those disparate Chinese dialects, the book sounds a bit too formal. When Chung delivers Chinese words and phrases, he is amazing. The flow between them and the English is seamless. However, the story itself is written with too much exposition, which forces Chung to sound robotic as he explains technical jargon. A.R.F. © AudioFile 2019, Portland, Maine

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