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1 of 1 copy available
1 of 1 copy available

Keller is a regular guy, a solid citizen. He goes to the movies, watches the tube, browses the art galleries, and works diligently on his stamp collection. But every now and then a call from the breezily efficient Dot sends him off to kill a total stranger. He takes a plane, rents a car, finds a hotel room, and gets back before the body is cold.

He's a real pro, cool and dispassionate and very good at what he does. Until one day when Dot breaks her own rule and books him for a hit in New York, his home base. She sends him to an art gallery opening, and the girl he gets lucky with steers him to an astrologer. He's a Gemini, his moon's in Taurus...and he's got a murderer's thumb.

Then the jobs start to go wrong. Targets die before he can draw a bead on them. The realization is slow in coming, but there's no getting around it: Somebody out there is trying to hit the hit man. Keller, God help him, has found his way on to somebody else's hit list.

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  • Reviews

    • AudioFile Magazine
      John Keller, solid citizen, living a Seinfeld type life, plans vacations, browses art museums, plans dinners, and buys groceries like everybody else. He appears so normal. Or is he? Could he be a contract killer? Block, multiple mystery award winner, characterizes an incidental character from a short story and brings him to life in his own novel. The author reads HIT LIST in clipped, private-eye tones. Initially, he sounds cutting-edge, almost riveting. Unfortunately, before the first tape ends, excessive detail and his monotone voice breed confusion, then boredom. This tape would be improved with a talented reader. G.D.W. (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      October 30, 2000
      John Keller, whom Block introduced in Hit Man, is a killer for hire, with a difference. He's thoughtful, even broody, tends to take a liking to some of the towns where he goes to do his work, dreams of perhaps settling down in one of them one day and collects stamps in his spare time, of which there's plenty. It's a novel idea, and it carried an excellent group of stories in the previous book. A whole novel about Keller, however, who after all walks a very delicate line between likability and horror, is more than he can readily bear, and, almost unknown in Block's work, there are longueurs here. The plot is wryly serviceable--a rival is attempting to corner the market by getting to some of Keller's intended victims first, and clearly has to be disposed of--but about halfway through a certain unease creeps in and won't let go. For all Block's usual great skill with goofy dialogue (here between Keller and Dot, the intermediary who takes the orders for his jobs), it's difficult to indefinitely enjoy jokes about the violent deaths of a number of people who, for all Dot and Keller know, are harmless, perhaps even good citizens, but whom someone is willing to pay to remove. Apparently mindful of this, Block keeps the killings mostly offstage, or with a minimum of graphic violence. But an affection for Keller is an acquired taste, and here it proves difficult to acquire. 9-city author tour.

    • Library Journal

      August 9, 2000
      With Hit List, the usually reliable Block misfires. The character of Keller is back from Hit Man, and he still seems like a normal guy until he gets a call from his boss to complete an assignment. Being a hit man, his job entails killing total strangers. Things start to go wrong, however; it seems that somebody is beating him to his kills. It also seems that this someone is looking to eliminate Keller. What should have been exciting instead reads like a print version of My Dinner with Andre. There are never any direct action scenes; events are merely discussed after the fact. Keller collects stamps, and many pages are devoted to his hobby, which is fine if you collect stamps. But to be honest, collecting dust would be more appropriate for this book. Purchase only if you need all of Block's novels. [Previewed in Prepub Alert, LJ 7/00.]--Jeff Ayers, Seattle P.L.

      Copyright 2000 Library Journal, LLC Used with permission.

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